Ming x J.N. Shapiro 37.06 Lightning held in the hand, 38mm steel case, with a titanium dial cut in a lightning guilloche pattern and heat-coloured from an orange and yellow centre through purple to deep blue at the edge, blued hands, MING signature at six o'clock, on a blue calfskin strap
Image: Monochrome Watches
NewsJun 8, 20265 min

Ming and J.N. Shapiro Made One Dial Together. Shapiro Cut the Guilloché in California, Ming Burned the Colour in Kuala Lumpur, and One in Three Was Scrapped.

The 37.06 Lightning is the second collaboration between Ming and the Los Angeles maker Josh Shapiro. Shapiro engine-turned a lightning pattern into a titanium dial; Ming heat-coloured it by hand with a butane torch. A third of the dials do not survive the process. Orders opened June 5 at CHF 6,250, with production capped near ten pieces a month.

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Two independent watchmakers put their hands on the same dial, and the result is the kind of object that only works because neither of them did the whole thing. The Ming x J.N. Shapiro 37.06 Lightning, introduced June 5, pairs the engine-turning of Los Angeles maker Josh Shapiro with the heat-coloured dial work that has become the signature of Ming, the design-led brand founded in 2017 by the Malaysian photographer and engineer Ming Thein.

The two are not strangers. Both sit among the founding members of the Alternative Horological Alliance, and they have built together before, on the Ming 21.01 Project 21. Shapiro began his career cutting guilloché dials for other watchmakers and has since grown into a vertically integrated American manufacture, the workshop behind the Resurgence, the first all-American mechanical watch built since 1969. The 37.06 takes the part of his craft he is best known for and hands the rest to someone else.

A pattern, then a fire

The dial starts as grade 2 titanium. Shapiro cuts the guilloché on traditional rose-engine lathes, in a pattern that is new to his repertoire: a set of jagged lines that radiate from the centre and break across the surface like lightning. The choice of titanium is not incidental. The metal takes heat colour in a way brass does not, and it is the heat that makes the watch what it is.

That second step happens in Ming's Kuala Lumpur atelier, where the colour is applied by hand with a butane torch. The gradient runs from oranges and yellows at the centre, through purple, out to deep blue at the rim. There is no chemical bath and no mask. The colour is temperature, read off the metal as it changes, and the maker has one pass to get it right.

It frequently goes wrong. Ming puts the failure rate at one dial in three. Hold the torch too long or not long enough and the colour distributes unevenly and the dial is finished. The guilloché compounds the risk, because engine-turning can expose variations in the crystalline structure of the titanium that only reveal themselves once the heat is on. Each surviving dial carries a slightly different gradient. None of them are identical, and none of them can be.

Side profile macro of the Ming x J.N. Shapiro 37.06 Lightning showing the lightning guilloché radiating from the dial centre, the orange-to-blue heat gradient, the domed sapphire crystal and the brushed steel case flank
Eight 37.06 Lightning dials laid out together, each showing a different heat-colour gradient from the hand-torched process, illustrating how no two examples are identical
Low-angle view of the 37.06 Lightning showing the notched crown, the pagoda-style lugs of the Ming 37-series case and the blue calfskin strap

Where the light comes from

The luminescence is handled the way Ming has handled it for years, which is to say not on the dial at all. The hour indices are laser-hollowed cavities cut into the underside of the domed sapphire crystal and filled with luminous HyCeram, so they appear to float above the guilloché. The hour and minute hands are treated with Super-LumiNova X1.

The case is from the brand's 37-series: 38mm across, 10.9mm thick, with a compact 44.5mm lug-to-lug, a large notched crown and the sweeping pagoda lugs that give the line its profile. It is steel, brushed and polished, water-resistant to 100 metres, with domed sapphire crystals front and back.

The movement, and the maths

Under the caseback is a Sellita SW210.M1, a manual-winding calibre running at 4Hz with a 42-hour reserve, telling hours and minutes only. It has been reworked with skeletonised bridges and an anthracite-coated baseplate. This is the pragmatic half of the watch. The story here is the dial, and the movement is a reliable base chosen to carry it rather than compete with it. The watch ships on a blue Barenia calfskin strap by Jean Rousseau with a flying-blade buckle.

The price is CHF 6,250, before tax. Ming has not stated an edition size, because the edition size is whatever the process allows. Orders opened June 5 at 13:00 GMT for a first batch, and the two makers expect to produce roughly ten pieces a month going forward. At that rate the arithmetic is the interesting part: if a third of the dials are scrapped, the throughput is not a marketing constraint but a physical one. The watch costs what it costs because two people made it twice as often as it sold.

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